Why We Do This

Danger Press started in Atlanta in 2004 with a simple frustration: most screen printers treat artwork as interchangeable print jobs. Push it through the machine, ship it, next. For someone whose work is the product — an illustrator, a band, a designer, a brand — that’s not a service. It’s a risk.

So we built the opposite kind of shop. We staff it with working artists and designers, because the person handling your job should understand why a color has to be exact and a halftone has to hold. We bend our process to fit your artwork, not the other way around.

We’re Only Doing Well If You’re Doing Well

We don’t want to be the cheapest shirt in town, and we don’t try to be everything to everyone. We’d rather partner with a focused group of clients and take real responsibility for their results. The work we’re proudest of isn’t a single great print — it’s a relationship where, years in, we already know how you like things built.

The Things That Make Us Different Aren’t for Sale

A competitor can buy the same presses and the same blanks. What they can’t buy is two decades of accumulated memory about your orders, the mannequin preview that shows you the print before we run it, or a crew of artists who treat fidelity as a shared value. The shirt is a commodity. The way we work around it is not.

For the People Who Make Things

That’s the whole mission. We help creative professionals bring their work to market — faithfully, soft-handed, and on time — so the thing they made reaches the world looking exactly like they meant it to. Here’s how we do it.